Books by type

The Lindisfarne Gospels – Complete

The Lindisfarne Gospels Cover
The Lindisfarne Gospels is one of the most magnificent manuscripts of the early Middle Ages. It was almost 400 years old when the Domesday Book was compiled, 500 years old when Magna Carta was witnessed, and over 700 years old when Gutenberg invented movable type.

It was written and decorated at the end of the 7th century by the monk Eadfrith, who became Bishop of Lindisfarne in 698 and died in 721. Its original leather binding, long since lost, was made by Ethelwald, who succeeded Eadfrith as bishop, and was decorated with jewels and precious metals later in the 8th century by Billfrith the Anchorite.

This is an eBookTreasures edition which includes all pages from the manuscript and audio narration and interpretation on selected pages.

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The Lindisfarne Gospels – Highlights

The Lindisfarne Gospels Cover
The Lindisfarne Gospels is one of the most magnificent manuscripts of the early Middle Ages. It was almost 400 years old when the Domesday Book was compiled, 500 years old when Magna Carta was witnessed, and over 700 years old when Gutenberg invented movable type.

It was written and decorated at the end of the 7th century by the monk Eadfrith, who became Bishop of Lindisfarne in 698 and died in 721. Its original leather binding, long since lost, was made by Ethelwald, who succeeded Eadfrith as bishop, and was decorated with jewels and precious metals later in the 8th century by Billfrith the Anchorite.

This is an eBookTreasures edition which includes selected pages from the manuscript and audio narration and interpretation on all pages.

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The Gutenberg Bible

The Gutenberg Bible Cover
The Gutenberg Bible is the first book to be printed with movable type, by Johann Gutenberg in Mainz.

The substantial two folio volumes are remarkable for the fine quality of the printing, executed with great care and attention to detail. This exact facsimile edition is taken from the John Rylands Library copy which is one of forty-eight substantially complete surviving copies, now housed in libraries across the world. Purchased by George John, 2nd Earl Spencer in 1790 it found its way to Manchester in 1892 when Enriqueta Rylands purchased the Spencer Collection of books. This copy includes original hand decorated initials at the beginning of each book and was probably at the Cistercian monastery of Eberbach, not far from Mainz, in the fifteenth century.

This eBookTreasures facsimile edition contains the complete book.

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The Queen Mary Atlas

The Queen Mary Atlas Cover
The ‘Queen Mary Atlas’, though now incomplete, is one of the most magnificent examples of Portuguese mapmaking. Its charts track the progress of Portuguese sailors who since 1415 had sailed down the west coast of Africa, far beyond the confines of the known world, in search of spices, non-Christian souls and slaves.

The atlas was probably commissioned by Mary I as a gift for her husband, Philip II of Spain, a few months after their marriage in June 1554. Its creator, Diogo Homem, belonged to a distinguished Portuguese mapmaking dynasty.

Philip never received the atlas. It seems only to have been completed after Mary’s death in November 1558.

This eBookTreasures facsimile edition contains the complete manuscript.

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The Holkham Bible

The Holkham Bible Cover
This celebrated picture-book tells the Biblical story in Norman French, with the help of copious illustrations of everyday 14th-century England. Originally intended as a visual aid for popular preachers, it is now a fascinating glimpse of real life in the time of Chaucer.

The Holkham Bible tells highlights of the Bible story, from Creation, through the life of Jesus, to the Last Judgment. It is only loosely based on the Bible, and includes plenty of apocryphal episodes, especially about Jesus’s early life. It does this with brief text that is part prose, part poetry, and most importantly, with a unique sequence of illustrations that draw many of their details from everyday life.
The book was probably made in London in the mid-14th century, round about the time of Geoffrey Chaucer’s birth.

This eBookTreasures facsimile edition contains the complete manuscript.

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The Carpentin Hours

The Carpentin Hours Cover
The Carpentin Hours is one of the most dazzling manuscripts illuminated in Bruges at the height of the so-called Northern Renaissance, and it is also one of the least known.

The manuscript remained in family hands until 1927. In 1940 it was stolen from a Parisian bank vault by Nazi forces. After the war it was returned to its owner in New York, where it remained unseen until 1997.

This eBookTreasures facsimile edition contains the complete manuscript.

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The Golden Haggadah

The Golden Haggadah Cover
The Golden Haggadah is one of the finest of the surviving Haggadah manuscripts from medieval Spain. The Haggadah, which literally means “narration”, is the Hebrew service-book used in Jewish households on Passover Eve at a festive meal to commemorate the Exodus from Egypt.

This eBookTreasures facsimile edition contains the complete manuscript along with audio and text commentary on selected pages.

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The Rylands Haggadah

The Rylands Haggadah Cover
The Rylands Haggadah is a masterpiece of medieval art, and it is the most important Hebrew manuscript in the John Rylands Library. It is over 650 year old, dating from the mid-fourteenth century, and was made in Spain (possibly Catalonia). Haggadot (the word means ‘telling’) tell the story of Exodus, the flight of the Jews from Egypt.

This is an eBookTreasures facsimile edition, which includes specially-recorded recitation.

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Mozart’s Musical Diary

Mozart Cover

by Wolfgang Amadeus Mozart

This manuscript, also known as Mozart’s Thematic Catalogue, is the record of his compositions in the last seven years of his life.

During this period, from February 1784 until December 1791, he composed many of his best-known works, including his five mature operas, several of his most beautiful piano sonatas, and his last three great symphonies, as well as several famous lesser works. It was a turbulent time of his life, with financial crises, family tragedy, and his ongoing unsuccessful search for a permanent court position.

Mozart made his last entry in the catalogue just three weeks before his early death in December 1791. His last great work, a requiem, was not entered as it remained unfinished at his death.

This is an eBookTreasures facsimile edition, which includes specially-recorded music throughout the book, as well as text commentary on every page.

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Messiah

Messiah Cover

by George Frideric Handel

The draft score of Handel’s oratorio ‘Messiah’ is one of the greatest musical treasures in the British Library. Handel established and developed the English oratorio as a musical genre, and ‘Messiah’ is its best known and best loved example. As only fragmentary sketches survive, this manuscript is the source for Handel’s first known ideas for the work; it also includes many of his alterations for later performances. It illuminates his working methods and includes performance directions. Its detailed dating reveals the composer’s characteristic speed of composition: the work was begun on 22 August and completed just 24 days later on 14 September, 1741.

This is an eBookTreasures facsimile edition, containing additional interpretative text and selected recordings from ‘Messiah’.

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